![]() ![]() I, FURTHER CERTIFY THAT THE WORK HAS NOT BEEN SUBMITTED EITHER PARTLY OR FULLY TO ANY OTHER UNIVERSITY OR INSTITUTION FOR THE AWARD OF ANY DEGREE. PREFACE “The Impact of Development Genre of Vaishnava Phil osophy on North Indian Classical Music”, this topic and resea rch work on it is the outcome of the curiosity of my inner soul. There was an ever increasing aspiration and thought mind to know and realize that music which would facilitate the soul’s journey towards spiritual world, which is that bhava (emotion) whose depth and intensity become the means of God realization. All of sudden a thought came to my mind like a ray of light. From ages past many devotees have realized God with a benign heart immersed in the nectar of devotion by weaving their emotions in the notes of music. Even today the music of the soul is a medium to reach Paramatma (God). Then only it was decided that I should do this study. ![]() It sprinkled in my eyes by the grace of my spiritual master (Gurudeva) and other revered scholars like a willful desire. The aim was to analyze the place of music in the devotion of Vaishnava Dharma which has many streams in the whole of Northern India.
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